论文标题

层次多维缩放,以比较音乐性能样式

Hierarchical Multidimensional Scaling for the Comparison of Musical Performance Styles

论文作者

Yanchenko, Anna K., Hoff, Peter D.

论文摘要

量化音乐艺术家之间的风格差异是音乐界的学术兴趣,并且对于其他应用程序(例如音乐信息检索和推荐系统)也很有用。可以通过比较普通音乐作品的不同艺术家的表演来获得有关风格差异的信息。在本文中,我们开发了一种统计方法,用于识别和量化与几种音乐功能有关的一组常见作品录音的艺术家之间的系统性风格差异。我们的重点是基于贝多芬九个交响曲的音频录音的数据比较十个不同的乐团。由于原始音频数据的生成或参数模型可能非常复杂,并且比我们确定乐团之间差异所需的更为复杂,因此我们建议将数据从一组录音中降低到基于录音的不同音乐特征(例如tempo,dynamics和timbre)的乐团之间的成对距离。对于这些特征,我们获得了多个成对距离矩阵,每个交响曲的每个运动都一个。我们开发了一个分层多维缩放(HMD)模型,以根据这三个音乐特征来识别和量化乐团之间的系统差异,并在有关乐团的已知定性信息的背景下解释结果。该方法能够恢复乐团之间的几个预期系统相似性,并确定一些新的新结果。例如,我们发现与旧录音相比,现代录音彼此相似。

Quantification of stylistic differences between musical artists is of academic interest to the music community, and is also useful for other applications such as music information retrieval and recommendation systems. Information about stylistic differences can be obtained by comparing the performances of different artists across common musical pieces. In this article, we develop a statistical methodology for identifying and quantifying systematic stylistic differences among artists that are consistent across audio recordings of a common set of pieces, in terms of several musical features. Our focus is on a comparison of ten different orchestras, based on data from audio recordings of the nine Beethoven symphonies. As generative or fully parametric models of raw audio data can be highly complex, and more complex than necessary for our goal of identifying differences between orchestras, we propose to reduce the data from a set of audio recordings down to pairwise distances between orchestras, based on different musical characteristics of the recordings, such as tempo, dynamics, and timbre. For each of these characteristics, we obtain multiple pairwise distance matrices, one for each movement of each symphony. We develop a hierarchical multidimensional scaling (HMDS) model to identify and quantify systematic differences between orchestras in terms of these three musical characteristics, and interpret the results in the context of known qualitative information about the orchestras. This methodology is able to recover several expected systematic similarities between orchestras, as well as to identify some more novel results. For example, we find that modern recordings exhibit a high degree of similarity to each other, as compared to older recordings.

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